The reasons of without remaining Park's manuscripts, diaries, and letters can be inferred. The first reason is that no one sorted out her legacy. Actually, her hunsband, Tomas Park, can be the first candidate to organise these primary sources. As her beloved, he is a man of letters writing poems dedicated to her after her death, therefore he can be capable of collecting her inheritances and even write a reminiscence. But there is no historical material indicating that he did the work. ​
Another reason is that her music works are not outstanding and competitive among Western classical compositions though a large number of subscribers supported her publications at times. The music structures in the most of her works are short and elegant, which would be more suitable for domestic performance rather than magnificent concert hall. The difficulty of performance techniques is not quite challenged, so it is not attractive enough for professional musicians, leading to fewer players. The kinds of instruments for the compositions only focus on piano and harpsichord, other strings as not essential accompaniment status.
​​ The last reason is the end of her performance career. After her marriage, her public concert decreased compared with her youth, causing to appear on the stage less. It is easy to be forgotten.
As a most prolific female musician in the eighteenth century, reviewed by Sophie Fuller, it is obvious that current scholars have not valued Park highly enough. As such, unlike other websites only listing and demonstrating all of texts, this site also commits to propose possible future studies. When it comes to traditional musicological research, scholars should further collect her primary sources to establish a more complete compositional context, and also it is important to discover Op. V and Op. XI. Moreover, scholars can study the musical analysis of her works or build a comparison with other female composers. In the meantime, it is suggested that scholars should devote a whole album and modern edition just to her music. Because of composing for harpsichord in the original version, her works can serve as the case study in the field of historical instrument authenticity. Lastly, one interdisciplinary research is to combine her musics with film soundtracks, which help contemporary composers and audiences pay attention to her musics.